Confession: I love Ghost Trilogy and its characters, I’m still working at shaping the story as best I can and at finding a home for it, but this year my NaNoWriMo project will be a brand new one.
In fact, the protagonist is someone I created a couple of years ago, and you may have come across her if you have been around this blog long enough. She’s Ombretta Vivaldi and I created her in quite an unconventional way: for a treasury challenge on the Etsy site.
It’s quite strange, really, I wasn’t going to create a character, but one of the group I was part of came up with a very cool idea: creating a series of treasuries that would tell a murder mystery story. If you think I could resist that, you don’t know me well enough.
This is the sequence of treasuries.
(Note: Sorry, I see that this theme doesn’t seem to sustain paragraphing in the lightbox, but if you click on the ‘view more’ button, it will take you to the original posts)
Murder Mystery Game – The suspect: Ombretta Vivaldi
Murder Mystery Game – The suspect: The secret paths
Murder Mystery Game – The Scene: The Hexagonal Room
Murder Mystery Game – The Crime: Feathers and Blood
Murder Mystery Game – The Clues: What Does the Feather Mean?
Murder Mystery Game – The Reveal: I’m Still Waiting
Ombretta came to me absolutely naturally, as characters sometimes will, and by the time I finished the challenge, I knew I’d write about her sometimes soon.
But the story never really came to me. I wanted it to be set in the 1920s, just like Ghost Trilogy, but since Ombretta is Italian, I wanted the story to be set in Europe. Slowly, some ideas congealed: the story would be set in Berlin (Weimar Berlin is an exceptionally exciting place); it would involve European mythologies in some way; like Ghost Trilogy, it would have a multiethnic/multicultural cast.
I tinkered lazily with the story for a couple of years, until last summer, as I finally decided Berlin was going to be my setting, I thought that should be my next NaNo project and started brainstorming more actively.
So, here’s the idea
BONES OF THE TITANS
When a very unique Viking dagger the British Museum has just acquired shows up at the Staatliche Museen zu Berlin, Ombretta Vivaldi doesn’t think it’s her concern: she’s just a secretary. But her boss Ross Harding can’t speak German – among the numerous other things he can’t do – so she doesn’t really have much choice but follow him.
When she sees the dagger the first time, Ombretta wishes she never came. The dagger stirs the gift she’s forsook many years ago, the gift to see a future, a future she seems to have no power to shape. She senses the evil inside the artefact aweken.
That night, the director of the museum is murdered and the dagger disappears again.
As the police investigates, Ombretta realises the troubled times of the young Weimar Republic, with its resentment for the war, the rising of nationalism, and the fear of a much uncertain future is the perfect place for such evil to grow. Navigating among brazen politicians, rebellious kabaret artists, war veterans and people who have more than one secret to defend – including Ross – Ombretta tries to bridle that gift she has never been able to muster and get to the dagger before the police will, so to put it to rest before something truly horrible happens.
I know, I know, the blurb is lousy, but I’m terrible at writing blurbs when the story is written and revised, you can’t pretend that I write a good blurb before I write the story…
And the blurb doesn’t even mention a couple of things that I’m really fond of.
First, this story is going to feature my first queer character. Now this is vastly outside of my comfort zone, but I can’t ignore that – except during the Third Reich – Berlin has always been a very queer-friendly city, still is. And besides, kabarets will be a prominent settings.
It doesn’t even mention Wolfgang Neumann, who’s shaping up as one of my very favourite characters. He’s a WWI veteran, now involved in politics. He has a very strong sense of duty and justice, but is nonetheless a ruthless man (can’t expect him to be too subtle after the war experience, now can you?).
The dagger is where European mythology comes into play, if probably quite subtly. It is made of a shard of the Titans’ bones (hence the title of the novel) and it keeps their hate towards everyone but also a huge confidence in one’s self. Therefore, people who own it tend to become self-confident beyond their normal character but they may fall to hate with disastrous outcomes.
I’m thinking about the classic tale of Zeus defeating the Titans (who were powerful, but wild and violent and primordial) in order to become master of the Olympic people, but also about Ymir, the giant of the Scandinavian mythologies, from whose bones earth was created.
It’s just sketchy ideas at the moment, but I am researching and I’m loving it. You know I’ve always said that the 1920s sound so much like our times. This is certainly true for Europe, but there’s even more. Enzo Traverso, and Italian historian of the two World Wars, theorizes that there weren’t two world wars separated by a period of uncertain peace, but there was just one, 30-year-long war. It makes a lot of sense to me. What I’m learning is that what went into the war in 1914 was Old Europe, with its old Victorian ideas and ways of life. The young people, who went into war enthusiastically thinking that would renew their old world, were weirdly right. Of course, they couldn’t foresee the extant of that change and how long it was going to take, or how brutal it was going to be, but Europe as it came out of WWII was really a new place, with new ideas and ways of life. In good and bad, it was Europe as we understand it today.
To me, Weimar Berlin was the place where everything started.