Femme Fatale

Xenos (1940s Film Noir – #AtoZChallenge)

The though thriller is a particularly heightened form of hero-centred fiction, but with a non-traditional outcome engendered by the problematisation of the hero figure. In place of the conventional affirmation of heroic masculinity, the 1940s…




Transgression (1940s Film Noir – #AtoZChallenge)

Uncertainty is one of the constant characteristics of noir stories. Goals and characters fined themselves in a situation of unbalance, therefore the possibility of transgression – both willing and accidental – becomes very likely. Transgression…


Suspense (1940s Film Noir – #AtoZChallenge)

Suspense is a very different mode of narration than the detective story. Whereas the detective traditionally represents a stabilising element in the narration (he brings stability and truth where the criminal act had brought instability…



Law (1940s Film Noir – #AtoZChallenge)

The law manifests itself in film noir not just as the legally defined framework of the actual law, but also as the law of patriarchy, which defines the cultural environment. In a traditional world (the…


Femme Fatale (1940s Film Noir – #AtoZChallenge)

It is probably no accident that the abundance of film exhibiting the femme fatale coincided with an advancement in the economic and social position of women. In a narrative that is predominantly male, the femme…


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